“They asked me for a title for the catalog, it couldn't really be taken for a view of Le Havre, and I said: ‘Put Impression. Of all those displayed there, this is probably the most famous picture, not so much because of any crucial status. It was one of the nine works that he showed at the First Impressionist Exhibition of 1874. When Monet was asked to name his painting, he accidentally coined a term that defined the movement. This work was painted from a hotel window at Le Havre in 1873 (Monet later dated it incorrectly to 1872). Degas, Pissarro, Renoir, and Sisley, all contributed work painted in a new style, focused on light, and usually painted outside, thanks to the recently invented portable paint tube. Impression, Sunrise Artist Claude Monet Year 1872 Medium Oil on canvas Location Muse Marmottan Monet, Paris Dimensions 18.9 in × 24. Two years later, Monet was organizing an independant exhibition of artists who were experimenting like him. In his words, Monet painted “during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the port.” It was practice-an experiment. Monet was interested in light, and threw himself into the study of reflections of light on water, with the port as his subject. But in 1872, when Claude Monet was painting a hazy interpretation of the seaport in his hometown of Le Havre in France, the birth of a movement was far from his mind. Once called an abstract piece of unfinished work by critics, over one-hundred years later, Monet’s work Impression, Sunrise is part of a historic art movement, and Monet helped to make a name for the Impressionistic artists as well.Today, Impressionism is one of the most beloved movements in Western Art. The viewer almost feels that he is looking out the same window that Monet did that Spring morning. This accurate reproduction of Monet’s impression, and resulting mood of atmospheric conditions dominate, and limit the importance of great detail. This supports Monet’s mastery of depicting light effects on scenes which he painted. The ships’ masts are sometimes disrupted by the rippling water, as the silhouettes of the boats seem to be disappearing into the mist.Īn interesting observation about this painting is that although the sun seems to be much brighter than the rest of the scene, if viewed removing all color, the sun almost disappears. The abbreviated, darker brushstrokes in the water, create motion, and ripples, while hints of orange and yellow appear as a reflection of the sunrise in the harbor water. Because it was a very misty morning on the harbor, the clouds are colored by the rising sun, in the dense mist, and the boats take shape, without great definition. In this Monet painting, the sun is placed against the dawn sky, with orange and blue-violet contrast. Because Monet did not feel that there was enough detail to title the painting Harbor of LeHavre, the name Impression, Sunrise was given, and Monet titled most of his paintings with “Impression” for this reason. Monet’s quick sketches, or pochade, capture a particular light effect, therefore are very spontaneous. While on vacation, Impression, Sunrise was sketched, while Monet was looking out his window one spring morning. It characterizes Monet’s work throughout his lifetime, and is sketched in oil paints on canvas, and executed quickly, to capture the atmospheric or natural light moment. The scene painted in this Monet painting was of the harbor of LeHavre, in France. Little did he know, Impression, Sunrise would become the name of a historical art movement. Monet originally named the painting Marina, but changed the title to Impression, Sunrise (Impression, Soleil Levant) for the 1874 Exhibition catalog listing. Shapes are formed by how the colors of the scene are detected, forming pictures naturally. Impressionists paint colors perceived with natural light, with little importance given to details. The great French artist, Claude Monet, was responsible for introducing the idea of impression to the art movement of those who painted what they perceived at a certain point in time.
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